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Still Dancing

1/22/2016

 
by Rebecca Cochran
 
In yesterday’s post, I mentioned Bach’s use of the gigue dance form in many of his works. Another fine example is the final movement of the Sonata for Two Violins and Keyboard in C Major, BWV 1037.
 
When Breitkopf & Härtel published the trio sonata in 1761, it was attributed to Johann Gottlieb Goldberg (yes, that Goldberg). Three years later, however, it was reissued as a work by J.S. Bach. Nearly two centuries later, in 1953, a noted scholar found the work to be (conclusively?) that of Goldberg.
 
It doesn’t matter to me to whom the work is attributed. Bach/Goldberg ends this church sonata with a gigue (a folk dance)! This frolicking dance is in joyous contrast to the earlier movements. The clever emphasis on the nonexistent downbeat causes me to believe this is, in fact, a work by Bach.

Enjoy listening to this lively rendition by the London Baroque under the direction of Charles Medlam. 

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    My Year of Bach.

    This is an experiment.
    I love Bach: listening to Bach; playing Bach (alone or with others); discovering Bach; learning from Bach; sharing Bach.

    ​I need Bach in my daily life.

    ​So, for 2016, I'm challenging myself to write a short daily post about Bach. Come along for the ride, if you're so inclined. Let's listen, share and learn together!

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